Of all the questions media composers are asked, there are two that are always at the top of the list: How does one start a career in film? How do you approach a production?
With this is mind I hope these 'case studies' might be of some use or at least learn something from my experimentations, both good and not so good, over the last 30 years?! Education is important to me which is why I am still working on a phD and regularly give Work-Shops / Masterclasses for Ensembles, Colleges and Universities. I also offer online 'Mentoring'.